Sunday, 10 September 2017

Bachelor Poems

These two pieces were written two years before I got married. Bad poetry borne out of bad moods!


Heart Broken

Dying embers
of a super nova
that cracked up
a billion years ago
do not warm up
the cold loneliness
of my nights
and the sun
never rises
in the empire
of my heart
after i realised
that the experts
have written the program
with my blood
and without you…


Bachelor Musings

The future is not bleak
somewhere there
an unlucky girl
with music and grace
may be a pleasant face
(what’s your problem- she’s
trained in domestic ways)
will become my wife
we shall lead a dull life
and make duller babies
who’d lead better lives

‘cause they won’t know the difference.

Saturday, 9 September 2017

Among Indian poets who wrote in English, Gopal Honnalgere (1942 - 2003) is one of the best. His poems show his sensitivity and deep rooted Indian sensibility. He has been largely forgotten by Indian anthologists and his books of poems are out of print. I had copied three of his poems by hand some forty years ago. This one is an all-time favourite. If your eyes mist over by the time you finish reading this, there is still hope for the world:

My mother’s saree
(Gopal Honnalgere)

sometimes when they had differences
perhaps my father tugged her saree
my mother’s saree was torn.

sometimes when he came
even intimately close to her
perhaps his cigarette burnt
again a hole in my mother’s saree.

then we were eight children;

how many pisses
shits, vomits and kicks
of us the saree bore.

yet sometimes when we were
in a hurry to go out
mother dipped
one edge of her saree
in warm water
and instantaneously cleansed our faces.

and how many menstruations
forced copulations, dragged love,
conceptions, misconceptions,
abortions and deliveries,

the saree gracefully concealed.

perhaps endless.

even when the saree was flung
to dry in the backyard

it looked endlessly

affectionate;

around which we grew
playing hide and seek.

and another old saree was somewhere
kept to quilt the cradle

for a new arrival.

Friday, 26 February 2016

Sampler from anthology of short poems - Kurunthokai.

Some Sangam Poets could tell a long story in a short poem. This six – liner (verse 167, Kurunthokai) is the report of the nurse-mother (செவிலித்தாய்) to the mother of a newly married girl, after visiting the girl’s marital home. I tried hard to translate it in six lines and failed. The translation does not capture the young wife’s devotion and enthusiasm, her inexperience and clumsiness in the kitchen and her happiness and joy to find that her husband liked her cooking. The nurse-mother appears to be telling her mistress not to worry, because, the husband is likely to relish anything the newly wed girl cooks and all is well on the marital front!





Sunday, 2 March 2014

Ammaachi

Ammaachi

Balammal was born in Palayamkottai, a small town in southern Tamil Nadu in 1907. She was the fifth among nine – or may be – ten siblings. Her father was a well-known contractor to the British Sahibs and some of the buildings put up by him stand till today as solid testimony to his professional capability and integrity. Life in the big contractor’s house as a small child may not have been all that unpleasant for young Balamma who was by far the fairest and the most beautiful of the brood. But the father died rather prematurely and the task of bringing up the children was taken up by an iron willed maternal grandmother. She saw to it that all the children, including the girls got an education. This must have been a revolutionary step during the second decade of this century. So there she was, this young woman of great beauty, at just 17 years of age, given away in marriage to a short and extremely dark complexioned young man of 20 years of age. One suspects that Balamma must have accepted the young man as her husband only because she may have had no choices in the matter. But then it may not have taken her much time to realize that her husband possessed an extraordinary intellect. I believe that Thondaman Muthiah Bhaskara Thondaman could not have achieved all that he did in his lifetime but for the unstinting love and quiet support of his wife.

Balammal was my maternal grandmother fondly addressed as Ammaachi in Tamil. Ammaachi followed her husband to all the places where his government job took him. He rose from being a humble Clerk in the Collector’s Office in Tirunelveli to retire as a Collector himself from the old North Arcot District. This in itself would have been a great achievement for most men. But in the case of T. M. Bhaskara Thondaman, this paled into insignificance compared to his artistic and literary achievements as a connoisseur, curator, exponent, orator, scholar and writer.

I was brought up by Ammaachi almost from my birth. When my grandfather died in 1965, I was just fifteen years old. But I was old enough to know that my Ammaachi never bothered to read any of her illustrious husband’s writings; I had also never seen her attending any of his scintillating lectures on art, poetry and sculpture. I have heard her remark to him sardonically as to whether he himself was writing all those adulatory letters to himself.

It was much later in my own life that I realized that Ammaachi by her quiet, unassuming and non-interfering ways had provided the bedrock of support on which her husband’s monumental achievements were built. Ammaachi loved her husband, her daughters and all her grandchildren in a way that is no longer fashionable – without any concern for herself.

She had seen much pain in her life. She had seen much pain in her life. She had lost a young daughter before she was thirty. She lost her only son when he was nineteen years of age to blood cancer. Thondaman Thatha himself died just after he turned sixty one in 1965. Hardly three years later, her elder son-in-law and my father, V. K. C. Natarajan died in a swimming accident in Kanyakumari. Much later in 1990, she lost her younger son-in-law, R. Subramaniam, also at a comparatively young age of sixty. In 1996, I, her eldest grandson, lost my elder son Niranjan Natarajan at nineteen, the same age at which Ammaachi lost her son Karunakaran. She did not know of any other family which was visited upon by death and tragedy at such regular and unfailing intervals. She had to the best of my knowledge never touched the Bhagwat Gita. But I realize that she had completely understood the teaching about Karma Yoga and was always there to give her unassuming and quiet support to her husband, her daughters and her grandchildren, whose need for consolation was her greatest priority.

It would be a fair assessment to say that Ammaachi gave unto us all much more than what we ever could return to her. I am still haunted by the images of her emaciated and bony fingers holding my hand to console me when I wept at her bedside after Niranjan’s death. Hardly two months later, she had called it a day on 9th July 1996. She was eighty nine. As the doors of the electric crematorium closed, I was overwhelmed that this was my last look at this simple woman who had done so much for us all her life. Even as the flames caught the bright silk sari adorning her body, she looked, to borrow a phrase from Gopal Honnalgare, endlessly affectionate.


I wish I had the talent and skills with the written word to compose a worthy enough eulogy for Ammaachi!

Thursday, 3 January 2013

More bad verse!

I am not particularly proud of these poems written sometime in 1969 - 70.


In Desperation

dying embers
of a super nova
that cracked up a billion years ago
do not warm up
the cold loneliness
of my days
and the sun
never rises
in the empire
of my heart
after i realized
that the experts
have written the program
with my blood
and without you.


The Absurd


Essence
existence
and the absurdity
in between
  
if zero
 is nothing
what then
is infinity

to live
and not
to know
is not to live

let me live
and commit
suicide
not murder


This was written based on personal experience. May not be good poetry, but of great sentimental value, because the friend referred to here, died in 1985.

disillusionment with a Trotskyite intellectual

the way you started off –

(i thought

you had a sword upstairs)

i wanted to go with you


but

you and i were shedding tears

over large pegs of rum and coke

and the thought of hungering masses

made you order some more chips


you and I believed in the printed word

mail order sales and the celluloid gods

you and (therefore) i were anasthetized

into an omniscient impotence


i would have gone with you

even if you had set out

to fight windmills with lances


but

did you

Wednesday, 2 January 2013

Another poem written in 1975, when I was 26 years of age, and thought I knew most of what is required to be known. I have grown older now and know better. I have given up cigarettes, for instance.





Thanks to Kurt Vonnegut Jr.

somewhere far away from here
a mad guy committing suicide
slowly and in comfort (he told me so)
with filtered cigarettes,
identified my nightmares
domesticated my terrors
and turned me a voyeur to the self

thanks to him
i learnt a few tricks
i get my thrills watching me perform

thanks to him
i have taken to cigarettes
(slowly and in comfort).